Big Trev's Blog
Wednesday, June 13, 2012
Thursday, May 17, 2012
Antigone #12
Anouilh develops the conflicting idea of truth versus lies to emphasize the conflict between characters. Most of the disagreements in the story are spawned from a lie or ambiguity that has previously happened. The early fights came from Antigone sneaking out and being unclear about her motives. In the reading tonight, the argument between Antigone and Creon grew out of Antigone's past, as Creon says. Also, it comes from Antigone not knowing the real story behind Polynices and Eteocles, but it is hard to know that Creon's account of the story is truthful too. I think that Anouilh created this tension between truth and lies to highlight that no one really knows anything, and that it's hard to know who to believe. The entire back story of Oedipus and all of the contradiction in the events of Antigone all build into this tension. It could be that Anouilh is using this tension to create a theme for the play, which is that not everything is true. Of course that needs elaborating, so in a longer phrase, you can't believe everything you hear, and sometimes even what you see, and the only truth there is is the truth that you make for yourself. Essentially, each person is entitled to their own beliefs.
Wednesday, May 16, 2012
Antigone #11
The tone of the chorus shifts dramatically in this part of the play. At first they seemed to empathize with Creon and were just listing events of the story and giving background. In tonight's reading they gave a long definition of what tragedy is and explained it to the audience. They said the word "you" a lot more frequently, which I thought could be Anouilh's way of breaking the fourth wall because he is drawing the audience in by use of the word "you". This breaking of the fourth wall serves significant because it reconnects the audience to the play and assures that they understand where it is going. It seems to me that Anouilh is very direct with explaining the play and intentions to the audience, but when it comes to the actual characters of the play, they are much more ambiguous. This lends the audience to confusion because there is times in the play in which they do not know what to believe, and this set up for lies and betrayal came from the beginning chorus because they highlighted all of the past betrayals of Antigone's family. Since the chorus in this part still adds to the lies it essentially has the same motives as the beginning chorus but just goes about it in a different way. I'm also curious as to if the chorus is a single man or still a group of people? I feel it could go either way.
Tuesday, May 15, 2012
Antigone #10
Events
-Oedipus is the king, but then he dies
-He had two sons, Polynices and Eteocles. After his death they agreed to alternate being king every other year.
-Eteocles refused to give up the throne when it was time so Polynices rebelled.
-Polynices attacked with the aid of 6 other princes and each was defeated at each of the 7 gates to the city.
-Eteocles and Polynices killed each other in the fighting and Creon became king.
-Eurydice is knitting next to Creon until she goes to die.
-Creon orders that Polynices may not be honored and whoever honors him receives death.
-Antigone wants to give Polynices a proper burial and tries to convince Ismene to help her and Ismene refuses.
-Haemon proposes to Antigone, even though he was talking with Ismene all night. As a result his death is predicted by the Messenger.
-Antigone sneaks out and has an argument with Haemon.
-Nurse questions her when she comes home and Ismene shows up and does the same.
-Antigone goes to bury Polynices.
Reflection
In the way Anouilh structures events there seems to be a lot weight on trickery and betrayal between brothers, sisters, friends, in relationships, and with the law. This sets up the story as being one filled with lies and false belief which follows along with the preceding story of Oedipus the King, which is also filled with lies. Another result of the large amount of lies in the first 48 hours of the story is that it helps to set up Antigone as a tricky character, mainly because she lied to the nurse about why she went out so early in the day. Antigone's family also has a result of living in lies, trickery, and betrayal because of her two brothers, and the story of her father. All of which set her up to be a rebellious character in the story, especially against a preset law. This structure of the back story that highlights the lies sets it up so that it is already centered around betrayals and secrets.
Wednesday, May 9, 2012
Topic Sentence
Leonardo is given an aggressive nature by Federico Garcia Lorca in Blood Wedding, to demonstrate how he is a key reactant to the tragic events of the story.
Tuesday, May 8, 2012
Blood Wedding #9
Journal #9: Create a list of themes that Lorca creates in the play.
- Family problems/feuds are passed down through the youth.
- Past relationships only bring pain if you stay in touch with the person.
- Those that are controlled are left ignorant to what is really going on.
Monday, May 7, 2012
Blood Wedding #8
Journal #8: How does the set change between acts and what effect does the set have on the atmosphere?
The set changes from a vineyard, farmland setting to a very nice house in act two and then to the forest for part of act 3. In the beginning the atmosphere is quite lively although since it is mainly in closed rooms on the farmland the atmosphere could also be fairly intense because everything is happening so quickly and rapidly in the small spaces. When the setting changes from the houses to the courtyard (?) of the Bride's nice home the atmosphere seems way more relaxed and friendly for awhile, due to the upcoming wedding. Even though the atmosphere is relaxed there's still a threatening anticipation due to the speed and intensity of Leonardo compared to the other guests. The setting of the forest in the third act is very ominous. Forests are usually set up to be like that, especially since this is realism, not romanticism. The forest makes it ominous because death is there and there is talk of death, and ultimately death in the forest. This sets the rest of the atmosphere for the play as being ominous or mournful.
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